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Psychedelic Toads, a Trail of Deaths, and the Guru Who Peddled Transcendence

South African journalist de Greef (Poacher), who has spent years reporting on global psychedelic movements, delivers a chilling saga about a former doctor who spearheaded the rise of toad smoking in the 2010s.

Part exposé, part Mexican travelogue, the narrative profiles Octavio Rettig, who claimed that he cured himself of cocaine addiction by smoking the dried secretions from the Sonoran Desert toad in 2012. The author details how Rettig stripped the rituals of the Indigenous Seri peoples for parts, claiming that the Seris had a long history of smoking the secretions. In addition to the trippy high the practice achieved, Rettig claimed the “medicine” could cure suicidal tendencies, PTSD, and alcoholism, drawing huge crowds to Sonora to attend his rituals. But even at the pinnacle of Rettig’s fame, stories circulated about people dying—including Rettig’s girlfriend—during those rituals. As de Greef digs into those deaths and Rettig’s motives, he takes the narrative on intriguing side quests, including a look at the heaps of corporate money being poured into the development of synthetic toad venom. Propulsive and rigorously reported, this wild work of true crime grips from first page to last. Read more

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‘Catch the Devil’ by Pamela Colloff

Paul Skalnik, writes journalist and debut author Colloff, “had an instinct for what people wanted to hear,” an essential talent for a successful con man. And successful Skalnik was: He married nine times, sometimes simultaneously, and bilked his wives and countless other people out of money, cars, jewelry, real estate, whatever he could steal. He did so while claiming to be many things that he was not: an ace Marine Corps fighter pilot who had been shot down over Vietnam, a wealthy lawyer temporarily short of cash thanks to big investments, a University of Texas star football player grounded by injury, a C-suite captain of industry. Somehow people fell for it, right and left. But more than that, and at a more depraved level of pathology, Skalnik sexually assaulted numerous women and girls, including a “slight and freckled seventh grader.” All these crimes added up to a constant series of jail and prison terms, and there, Colloff chronicles, Skalnik found his truest métier as an informant, pinning murders, drug trafficking charges, and countless other crimes on fellow inmates whom he swore under testimony had confessed to him. Read more

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‘Murder, Monsters, and Madness in Midcentury Hollywood’

Novelist and biographer Mann delivers a meticulous and humane reconsideration of one of America’s most sensationalized unsolved murders. Rather than dwell on the lurid mythology surrounding the 1947 killing of 22-year-old Elizabeth Short, whose mutilated body was discovered in a vacant Los Angeles lot, Mann sets out to restore complexity and dignity to a woman long reduced to tabloid caricature. Drawing on extensive archival research and overlooked police files, he traces Short’s troubled upbringing in Massachusetts and her zigzag path to Los Angeles after dropping out of high school. Read more

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What Happened to the Well-Mannered Cat Burglar?

Though he sounds like a screenwriter’s invention, Arthur Barry was real. Life magazine called him “the greatest jewel thief who ever lived.” And, as Dean Jobb notes in his delectably entertaining new biography, “A Gentleman and a Thief,” Barry was a triple threat: “a bold impostor, a charming con artist and a master cat burglar rolled into one.” Read more

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A Thread of Violence by Mark O’Connell

Erudite, seemingly emotionless, haughty, absolutely unrepentant, and elusive, Macarthur evaded easy analysis. The resulting picture of the killer is seen as if through a proverbial dark glass—and it’s as chilling, in the end, as any Hitchcock film. A superb study of real-life crime and punishment, to say nothing of sociopathy in action. Read more

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It’s Time to Put the ‘True’ Back in True Crime

…As a writer and editor of true crime, I might be more sensitive to these sorts of factual errors than most people. But they are part of a troubling trend. Errors like the one in “Boston Strangler” threaten the integrity of true crime, which as a genre has grappled with whether the stories it tells about crimes are, in fact, true. Read more

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