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Why Swearing Is Shocking, Rude, and Fun

One might expect that an author who teaches philosophy at the University of London would be on the stuffy side, but Roache, host of the Academic Perfectionist podcast, is anything but dull. Her book is a lively examination of swearing in all its forms, and although it is often humorous, Roache also has serious points to make. Swearing is sometimes meant to be offensive, but much depends on the context. It can signal solidarity within a group or class, be used to emphasize a point and denote surprise, and have a cathartic quality that prevents disputes from escalating to violence. Read more

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‘The Privilege of the Happy Ending’ by Kij Johnson

Johnson plumbs great depths in her third short story collection, full of bittersweet tales of the fantastic. This pleasingly varied anthology of fantasy and homage collects 14 works, many of which were previously published elsewhere, including the Nebula and Hugo Award finalist and World Fantasy Award–winning “The Dream-Quest of Vellitt Boe.” … While the entries are uniformly excellent in pacing and prose, the standouts may be the collection’s opener and closer. “Tool-Using Mimics” spins out a half-dozen explanations for a vintage photo of a young girl with tentacles that lead to piercing questions about how much we can know about the past, other species, and each other. The titular novella, which also won a World Fantasy Award, is a compelling fairy tale about a little orphan girl and her talking hen that poignantly interrogates the ways we determine which stories take center stage. Read more

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‘Chasing Bright Medusas: A Life of Willa Cather’ by Benjamin Taylor

Slender, discerning … Should appeal to anyone — novice or expert — ready to explore Cather’s life and work in the company of a critic so alert to the shimmering subtlety of her style and the hard years of effort that went into crystallizing it … With great feeling and deeply informed perception, Taylor helps us readers realize anew the sustained effort it took for Cather to meet ‘the rest of herself,’ in her novels and her life. Read more

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Literary Fiction is Dead, Long Live Literary Fiction!

As an English professor, I’m often asked, “What do you like to read?” Sometimes I answer, “Literary fiction.” By that phrase, I mean fiction that privileges art over entertainment. I did not know until recently that literary fiction—the phrase, not what it stands for—grew up with me. We’re about the same age. And while I hope I’m only midway through my life, literary fiction might be dead. More precisely, what might have died is literary fiction as a meaningful category in publishing and bookselling. Read more

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‘Monica’ by Daniel Clowes

Clowes strikes an irresistible balance of cultural criticism, philosophy, and pulp. The pacing and interconnection of the stories tease the reader along as narration and dialogue pop with insight and humor. Clowes’ art retains a classic comics aesthetic while delivering a thoroughly modern vibe. A timeless nugget of polished pulp. Read more

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‘Lou Reed: The King of New York’ by Will Hermes

…Hermes, a superb writer, does poetic justice to the complicated life of his difficult subject. As Hermes details, a raft of current singers claim debt to Reed, from Courtney Barnett and St. Vincent to Sharon Van Etten and Kurt Vile, as well as creatives in television, art, and fashion. Hermes offers a fresh and deep immersion in Reed’s world in all of its weird and wonderful, curmudgeonly glory, from Andy Warhol’s Factory and the Velvet Underground to days and nights of rock ’n’ roll decadence and his final moments surrounded by family and friends. Reed was influenced by many people over the years, including Delmore Schwartz and Bob Dylan, but none more so than his third wife, multimedia artist Laurie Anderson, who is a big part of this powerful story, this biographical magnum opus. Read more

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‘Julia’ by Sandra Newman is a Feminist Retelling of 1984

Though Newman sticks with the worldbuilding Orwell planned in 1949, not adding post-’84 developments like smartphones, home assistants, or the internet (though these actually do seem to play the surveillance role that Orwell assigned to the telescreens), she embroiders the edges of the original WWII-flavored vision with myriad amusing flourishes (and if you remember anything about 1984, you remember that amusing is not one of the adjectives that comes to mind). For example, though Julia is still a mechanic, working on the machines of Fiction, her first job at the Ministry of Truth was producing porno novels for proles, e.g., Inner Party Sinners: ‘My Telescreen is Broken, Comrade!’ Read more

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