Damrosch is one of the preeminent literary biographers of our time, and this magnificent biography of Robert Louis Stevenson reveals much about a writer that we think we knew. Read more
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Alongside H.G. Wells’s War of the Worlds and Nikola Tesla’s claim to have intercepted an extraterrestrial communication, Lowell’s fantastical lectures depicting “the pathos and heroism of this great civilization fighting to survive” sparked a Mars craze, which included comics, a new dance (“A Signal from Mars”), and claims from some individuals to have visited the Red Planet as “disembodied souls.” Baron astutely examines the societal shifts that account for the Martian fixation, among them the rise of a yellow press that craved sensationalistic stories, a new wave of exploration and invention (the Wright brothers’ flights; expeditions to the North Pole), and divisive earthbound struggles like the Spanish-American War that rendered Mars—an imagined “Planet of Peace”—as a symbol of hope. While Baron points to the dangers of conspiracy theories and bunk science, he also presents the saga as one of infectious optimism that inspired subsequent generations of science fiction writers and scientists. It’s an enthrallingly bizarre and surprisingly poignant account of humankind’s limitless willingness to believe. Read more
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Morris situates Butler’s career amid salient historical events and social movements, and she underscores the deep research that fueled Butler’s imagination, from reading slave narratives in Baltimore archives to studying precolonial West African, Nubian, and Igbo languages and cultures. Butler’s fictions—which Morris reads perceptively—convey cautionary tales warning against fascism, gender-based violence, and the consequences of global warming. All, Morris asserts, are driven by the question: What does it mean to be human? Read more
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Park’s delightful tales, which are driven by provocative ideas, strange occurrences, and gripping plots, pay tribute to the legacy of Kurt Vonnegut in the best ways. This pitch-perfect collection will linger in readers’ minds for a long time. Read more
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Gary Shteyngart is one of the best comedians in literature today, and like all the great ones, his humor elucidates as much as it amuses. That’s especially true of Vera, or Faith, a richly imagined tale of a unique family in an America that is succumbing all too willingly to technology’s intrusions and the threat of oppression. Read more
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Today, when “subversive” is the standard accolade for a campus poet, English’s book is a bracing reminder that, not so long ago, forbidden literature really could help tip the balance of history. He persuasively argues that the ferment in Poland, fueled in part by Minden’s cultural contraband, was a catalyst for the chain reaction that led to the fall of the Berlin Wall and the crumbling of other Eastern Bloc governments. “Soft power” wasn’t so soft. Read more
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Megan Greenwell was the editor in chief of Deadspin when it was acquired in 2019 by a Boston-based private equity firm. After three months of watching her new bosses make what seemed to her to be boneheaded decisions, she quit. Two months later, the staff followed her out the door. Within five years, the once popular online sports magazine known for its irreverent reporting had been sold to an obscure Maltese website.
Stunned by what she witnessed, the veteran journalist was determined to get to the bottom of a little understood, lightly regulated industry that owns hospitals, day care centers, supermarket chains, newspapers, commercial and residential real estate, and much more. The big names are Blackstone, the Carlyle Group, Apollo Global Management, KKR and Cerberus Capital Management. But what, she wondered, do they actually do?
The result of her inquiry is “Bad Company: Private Equity and the Death of the American Dream,” a deeply reported, briskly paced and highly disturbing account of how the private equity industry has “reshaped the American economy to serve its own interests, creating a new class of billionaires while stripping ordinary people of their livelihoods, their health care, their homes, and their sense of security.” Read more
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“Try to leave out the part that readers tend to skip.” So reads the 10th of “10 Rules of Writing” (2007) by Elmore Leonard (1925-2013), the New Orleans-born, Detroit-raised, Hollywood-savvy author who changed the nature of crime stories (in print and on screen) while becoming one of the most successful and highly regarded writers of his genre and generation. Read more
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Pick up a novel and suddenly you’re at the whim of the author’s imagination. Plot, characters, setting — you have no say in these matters. This is part of the appeal of fiction. Now, perhaps for the first time since Choose Your Own Adventure, Tom Comitta tweaks the equation in “People’s Choice Literature,” coming out from Columbia University Press on June 3. The hefty 584-page volume contains two distinct works: “The Most Wanted Novel” and “The Most Unwanted Novel,” each incorporating results of an opinion poll on the literary preferences of 1,045 readers from across the United States. Read more
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…a delightfully broad satire of many things: pulp sci-fi, literary fiction, writers’ groups, MFA programs, nerds™, Brooklyn thirtysomethings, and, most of all, the possibilities and pathologies of fandom culture. It is about the joy and necessity of artistic creation, the self-consuming doubt of struggling writers, the simultaneously symbiotic and parasitic relationship between art and fandom, and the musings of one extremely odd dude. It’s a hoot. Read more
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