Over the course of her career, [Amanda McKittrick] Ros became better and better at writing badly, and her popularity soared as a result. In this regard, she bears comparison with the New York socialite and singer Florence Foster Jenkins (1868–1944), whose operatic warbling was so popular that tickets for her show at Carnegie Hall sold out within two hours. Perhaps Ros was living in a permanent state of cognitive dissonance, or perhaps she accepted the ridicule as consolation for her fame. A more intriguing possibility is that she was engaged in an elaborate form of trolling. Read more
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