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Announcing the Winners of the 2024 O. Henry Prize for Short Fiction

Continuing a century-long tradition of cutting-edge literary excellence, this year’s edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Amor Towles has brought his own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices. Read more

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Paul Yoon Wins 20th Annual Story Prize

The Hive and The Honey is a collection of astonishing breadth, offering a panoramic portrait of Korean diaspora, of lives rescued from the margins of history. These characters reveal themselves most acutely through intimate gestures, moments that infuse the ordinary with lasting wonder and could only be achieved by a writer as patient, curious, and masterful as Paul Yoon… Read more

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‘The Privilege of the Happy Ending’ by Kij Johnson

Johnson plumbs great depths in her third short story collection, full of bittersweet tales of the fantastic. This pleasingly varied anthology of fantasy and homage collects 14 works, many of which were previously published elsewhere, including the Nebula and Hugo Award finalist and World Fantasy Award–winning “The Dream-Quest of Vellitt Boe.” … While the entries are uniformly excellent in pacing and prose, the standouts may be the collection’s opener and closer. “Tool-Using Mimics” spins out a half-dozen explanations for a vintage photo of a young girl with tentacles that lead to piercing questions about how much we can know about the past, other species, and each other. The titular novella, which also won a World Fantasy Award, is a compelling fairy tale about a little orphan girl and her talking hen that poignantly interrogates the ways we determine which stories take center stage. Read more

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The Master Fabulist of American Fiction

Millhauser reminds you of Borges sometimes, of Calvino and Angela Carter at other times, even of Nabokov once in a while. What sets him apart from other writers these days is that he’s a fabulist of a particular sort: his stories take place, for the most part, neither in the real world nor in one that’s wholly fantastical but someplace in between. Millhauser has a Nicholson Baker-like gift for meticulous, closeup description of the ordinary, but his world is also one that may be inhabited by ghosts, a realm where paintings and postcards come to life, where people can vanish or fly on carpets, and where it’s possible for someone to cohabitate with a frog. Read more

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‘Witness’ by Jamel Brinkley

Brinkley is a writer whose versatility knows no boundaries. He can make you laugh, cry, contemplate life’s deepest questions, remember what it was like to be a child, and feel the warmth, or chill, of your own family history. Tapping into the sticky stuff of humanity, each story is a gift of the highest quality, reminding us that we are all both in the audience and on life’s stage, even if we don’t know it. Forever the witness and the witnessed. Read more

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‘The Beast You Are’ by Paul Tremblay

Smart, self-aware, fun, creepy, and strange, The Beast You Are is even better than the outstanding Growing Things — and it further cements Tremblay as one of the finest voices in modern horror fiction as well as a dazzling innovator of the short form regardless of genre. Read more

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