Adapted from the Esi Edugyan novel, this Hulu series follows a child who escapes slavery and embarks on a life of swashbuckling adventure. Read more Watch trailer
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Adapted from the Esi Edugyan novel, this Hulu series follows a child who escapes slavery and embarks on a life of swashbuckling adventure. Read more Watch trailer
(We earn a small commission if you click above and buy the book at Bookshop.org)
“A historical novel has won the Pulitzer Prize for fiction in 12 out of the last 15 years, and historical fiction has made up 70 percent of all novels short-listed for these three major American prizes since the turn of the 21st century. Today, writers like Colson Whitehead, Viet Thanh Nguyen, Louise Erdrich, and Hernan Diaz are less interested in the way we live now than the way we were.
But this generation of prize-winning novelists is different from their forebears in another major way—they’re a lot less white. American literature’s overwhelming turn toward the historical past has both motivated, and been motivated by, the increasing recognition of Black, Asian American, Latinx, and Indigenous writers in the literary field. Over the past five decades, writers of color have been celebrated, prized, and canonized almost exclusively for the writing of historical fiction: narratives of war, immigration, colonialism, and enslavement that span generations and honor previously disregarded histories. Of the top 10 most-taught novels by writers of color published after 1945, eight are works of historical fiction. Of the 54 novels by writers of color to be short-listed for a major American prize between 1980 and 2010, all but four are works of historical fiction. Read more
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This year, there have been dozens of first-rate historical novels — so many that choosing even the 25 best would have been a chore. Which makes it that much harder to whittle the list down to 10. After much regretful tossing, here’s my roster, arranged alphabetically. Read more
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Historical fiction is suddenly everywhere. It’s on the bestseller list, in college classrooms, and probably on the lap of the woman sitting next to you on the train. A genre that at one point felt maligned and boring—neither serious nor sought after—has undergone a full-on transformation. In just the past few months, some of the most anticipated new releases by contemporary literature’s most beloved authors have been historical, including Lauren Groff’s The Vaster Wilds, Zadie Smith’s The Fraud, James McBride’s The Heaven and Earth Grocery Store, and Jesmyn Ward’s Let Us Descend. Read more
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The novel, inspired by archive clippings from a student newspaper, chronicles the love story between two first world war soldiers. It was announced as the winner at a ceremony in London on Thursday evening. Read more
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CJ Sansom has been announced as the recipient of the highest honour in British crime writing, the Crime Writers’ Association (CWA) Diamond Dagger. One of Britain’s bestselling historical novelists, Christopher John Sansom was born in 1952 in Edinburgh. He was educated at Birmingham University with a BA and then a PhD in history. After working in a variety of jobs, he retrained as a solicitor and practised in Sussex, until becoming a full-time writer. Read more
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The challenges here — for author and reader — are considerable. After all, Tokarczuk isn’t revising our understanding of Mozart or presenting a fresh take on Catherine the Great. She’s excavating a shadowy figure who’s almost entirely unknown today … As daunting as it sounds, The Books of Jacob is miraculously entertaining and consistently fascinating. Despite his best efforts, Frank never mastered alchemy, but Tokarczuk certainly has. Her light irony, delightfully conveyed by Croft’s translation, infuses many of the sections. What’s more, it turns out that the story of an 18th-century grifter inflated by Messianic delusions is surprisingly relevant to our own era. The quality that makes The Books of Jacob so striking is its remarkable form. Tokarczuk has constructed her narrative as a collage of legends, letters, diary entries, rumors, hagiographies, political attacks and historical records … This is a story that grows simultaneously more detailed and more mysterious … Haunting and irresistible. Read more
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The Romance Writers of America has withdrawn an award for a novel widely criticized for its sympathetic portrait of a cavalry officer who participated in the slaughter of Lakota people at the Battle of Wounded Knee. Read more
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Critics in the New York Times, Publishers Weekly, Kirkus and elsewhere have praised the book. “Harris’ first novel is an aching chronicle of loss, cruelty, and love in the wake of community devastation,” said Booklist. Novelist Richard Russo, the author of “Marriage Story: An American Memoir,” said, “What a gifted, assured writer Nathan Harris is … better than any debut novel has a right to be.” Read more
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For the past two decades, the novels celebrated for defining our time have almost always been books set within our time, from Jonathan Franzen’s voluminous social comedies to Sally Rooney’s smartly self-knowing novels and the seam of contemporary autofiction that has run between them. Historical fiction, by contrast, has not been in fashion. Or, rather, it has been seen as its own fusty fashion, relentlessly uncontemporary and easy to caricature, filled with mothballed characters who wear costumes rather than clothes, use words like “Prithee!” while having modern-day thoughts, and occasionally encounter villains immediately recognizable by their yellow teeth or suspicious smell. Read more
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