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‘James’ by Percival Everett

Percival Everett’s new novel amends Mark Twain’s classic tale [Huckleberry Finn] with the enslaved sidekick, Jim, at its center … What sets “James” above Everett’s previous novels, as casually and caustically funny as many are, is that here the humanity is turned up — way up. This is Everett’s most thrilling novel, but also his most soulful. Beneath the wordplay, and below the packed dirt floor of Everett’s moral sensibility, James is an intensely imagined human being. Read more

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‘Beautyland’ by Marie-Helene Bertino

A compelling, touching story that weds Bertino’s masterful eye for the poignant detail of the everyday with her equally virtuosic flair as a teller of the tallest kinds of tales—so tall, in this case, they are interplanetary. A heartbreaking book that staggers with both truth and beauty. Read more

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The Master Fabulist of American Fiction

Millhauser reminds you of Borges sometimes, of Calvino and Angela Carter at other times, even of Nabokov once in a while. What sets him apart from other writers these days is that he’s a fabulist of a particular sort: his stories take place, for the most part, neither in the real world nor in one that’s wholly fantastical but someplace in between. Millhauser has a Nicholson Baker-like gift for meticulous, closeup description of the ordinary, but his world is also one that may be inhabited by ghosts, a realm where paintings and postcards come to life, where people can vanish or fly on carpets, and where it’s possible for someone to cohabitate with a frog. Read more

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‘Witness’ by Jamel Brinkley

Brinkley is a writer whose versatility knows no boundaries. He can make you laugh, cry, contemplate life’s deepest questions, remember what it was like to be a child, and feel the warmth, or chill, of your own family history. Tapping into the sticky stuff of humanity, each story is a gift of the highest quality, reminding us that we are all both in the audience and on life’s stage, even if we don’t know it. Forever the witness and the witnessed. Read more

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‘Small Mercies’ by Dennis Lehane

The book has all the hallmarks of Lehane at his best: a propulsive plot, a perfectly drawn cast of working-class Boston Irish characters, razor-sharp wit and a pervasive darkness through which occasional glimmers of hope peek out like snowdrops in early spring. Read more

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‘White Cat, Black Dog’ by Kelly Link

Link has a boundless imagination and a sharp sense of humor, but even in tales filled with vampires, monsters, and a menagerie of talking animals, she never forgets the humanity of her characters, even when she puts them through their paces. She’s no sentimentalist, to be sure, but she writes with a seemingly limitless compassion, which anchors the stories in something enduring, something more real than real. Read more

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