The Norwegian novelist and playwright Jon Fosse has won the Nobel Prize for literature, the Swedish Academy announced on Thursday, for works that “give voice to the unsayable.” Read more
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…Hermes, a superb writer, does poetic justice to the complicated life of his difficult subject. As Hermes details, a raft of current singers claim debt to Reed, from Courtney Barnett and St. Vincent to Sharon Van Etten and Kurt Vile, as well as creatives in television, art, and fashion. Hermes offers a fresh and deep immersion in Reed’s world in all of its weird and wonderful, curmudgeonly glory, from Andy Warhol’s Factory and the Velvet Underground to days and nights of rock ’n’ roll decadence and his final moments surrounded by family and friends. Reed was influenced by many people over the years, including Delmore Schwartz and Bob Dylan, but none more so than his third wife, multimedia artist Laurie Anderson, who is a big part of this powerful story, this biographical magnum opus. Read more
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Though Newman sticks with the worldbuilding Orwell planned in 1949, not adding post-’84 developments like smartphones, home assistants, or the internet (though these actually do seem to play the surveillance role that Orwell assigned to the telescreens), she embroiders the edges of the original WWII-flavored vision with myriad amusing flourishes (and if you remember anything about 1984, you remember that amusing is not one of the adjectives that comes to mind). For example, though Julia is still a mechanic, working on the machines of Fiction, her first job at the Ministry of Truth was producing porno novels for proles, e.g., Inner Party Sinners: ‘My Telescreen is Broken, Comrade!’ Read more
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