From the heartland to the blood-soaked streets of Chicago to the Sierra Nevada mountains, W. R. Burnett refracted the myth of American prosperity through the nihilistic lens of noir, revealing a world built on empty hopes and false promises. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
The fate of the world is in our hands. Humanity’s written history spans only five thousand years. Our yet-unwritten future could last for millions more — or it could end tomorrow. Astonishing numbers of people could lead lives of great happiness or unimaginable suffering, or never live at all, depending on what we choose to do today. In What We Owe The Future, philosopher William MacAskill argues for longtermism, that idea that positively influencing the distant future is a key moral priority of our time. From this perspective, it’s not enough to reverse climate change or avert the next pandemic. We must ensure that civilization would rebound if it collapsed; counter the end of moral progress; and prepare for a planet where the smartest beings are digital, not human. If we make wise choices today, our grandchildren’s grandchildren will thrive, knowing we did everything we could to give them a world full of justice, hope and beauty. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
I understand why people hate all things Russian right now. But our literature did not put Putin in power or cause this war. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
…the investigator who was pulled off the 1929 case was one Leslie Turner White, who served as inspiration for Chandler’s Marlowe, and whose autobiography, Me, Detective (1936), played a pivotal if largely forgotten role in the formation of American noir. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
Forget what you know from the cartoon. The 19th-century story, now in a new translation, was a rallying cry for universal education and Italian nationhood. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
How one very young man changed the course of publishing and intellectual life in America. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
Authors are not infallible. Each great writer is the child of her or his age, certainly. But the miraculous aspect of great books is their ability to both reflect and transcend the prejudices of the author as well as their time and place. It is this quality that allows a young woman in twentieth-century Iran to read a Greek man named Aeschylus, who lived thousands of years ago, and to empathize with him. Reading does not necessarily lead to direct political action, but it fosters a mindset that questions and doubts; that is not content with the establishment or the established. Fiction arouses our curiosity, and it is this curiosity, this restlessness, this desire to know that makes both writing and reading so dangerous. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
In our brave new world of online surveillance and 280 character missives, of endless scrolling and shortening attention spans, a printed book can’t be traced like your virtual activity can — protecting our cognitive liberty and making it more valuable than ever. Books still are, as Stephen King (another proud writer of many a banned book) called them, “our most uniquely portable magic.” They are dangerous tools of destruction indeed — because the best ones break down the barriers that separate you and me. In other words, they humanize us. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
STEPHEN CRANE, born 150 years ago on this date, had a working life that lasted barely a decade, but he created an immense literary afterlife. His enthusiastic disciple Ernest Hemingway handed Crane’s stories to aspiring young writers seeking advice. Ralph Ellison said that Crane influenced not only Hemingway but also most modernist writers of the 20th century, including himself. Southern novelist Caroline Gordon conveyed her admiration for Crane to her protégé Flannery O’Connor. No American writer before Crane portrayed immediate perceptual and sensuous experience with such power. “He had great, great genius,” Henry James repeatedly said. For all the praise heaped on Crane’s idiosyncratic style, a question remains: How did he learn to write that way? Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
The region used to be almost synonymous with magic realism but recent bestselling fiction draws on a legacy of dictatorship, poverty and sinister folklore. Read more
(We earn a small commission if you click above and buy the book at Bookshop.org)
