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‘The Bikeriders’ is Coming to Theaters June 21

…follows the rise of the Vandals MC, a Chicago outlaw motorcycle club. Seen through the lives of its members and their families, the club evolves over the course of a decade from a surrogate family for local outcasts into a violent organized crime syndicate, threatening the original founder’s unique vision and way of life. Watch trailer

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2024 Thriller Award Winners Announced

Goodness and community may not be the first words that spring to mind when thinking about the thriller genre, a broad category that the International Thriller Writers (ITW) association defines as including “murder mystery, detective, suspense, horror, supernatural, action, espionage, true crime, war, adventure, and myriad similar subject areas.” But both were at the heart of the 19th ThrillerFest, which culminated with an awards banquet on June 1 at the Sheraton Times Square in Manhattan. Read more

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Poverty for Profit – How Corporations Get Rich Off America’s Poor

Beginning in the 1980s, the U.S. government aggressively pursued the privatization of many government functions under the theory that businesses would compete to deliver these services more cheaply and effectively than a bunch of lazy bureaucrats. The result is a lucrative and politically powerful set of industries that are fueled by government anti-poverty programs and thus depend on poverty for their business model. These entities often take advantage of the very people they ostensibly serve. Today, government contractors run state Medicaid programs, give job training to welfare recipients, and distribute food stamps. At the same time, badly designed anti-poverty policies have spawned an ecosystem of businesses that don’t contract directly with the government but depend on taking a cut of the benefits that poor Americans receive. I call these industries “Poverty Inc.” If anyone is winning the War on Poverty, it’s them. Read more

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Why Are Debut Novels Failing to Launch?

Last fall, while reporting Esquire’s “Future of Books” predictions, I asked industry insiders about trends they’d noticed in recent years. Almost everyone mentioned that debut fiction has become harder to launch. For writers, the stakes are do or die: A debut sets the bar for each of their subsequent books, so their debut advance and sales performance can follow them for the rest of their career. For editors, if a writer’s first book doesn’t perform, it’s hard to make a financial case for acquiring that writer’s second book. And for you, a reader interested in great fiction, the fallout from this challenging climate can limit your access to exciting new voices in fiction. Unless you diligently shop at independent bookstores where booksellers highlight different types of books, you might only ever encounter the big, splashy debuts that publishers, book clubs, social-media algorithms, and big-box retailers have determined you should see. Read more

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