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‘We Lived on the Horizon’ by Erika Swyler

Swyler achieves a seemingly impossible amount of sophisticated worldbuilding using an economy of vibrant, graceful prose. The story transports and transforms, alchemizing a combination of mystery, romance, and science fiction into an impactful exploration of the importance of connection, the evolutionary nature of identity, and the inevitability of revolution. Affecting relationships and a sinuous, kaleidoscopic third-person narrative further define and develop the exquisitely rendered characters. Read more

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David Lodge, British Novelist Who Satirized Academic Life, Dies at 89

The author of 15 novels and more than a dozen nonfiction books as well as plays and screenplays, Mr. Lodge was twice shortlisted for the Booker Prize, and his work has been translated into dozens of languages. His best-known work, “Campus Trilogy,” dramatized the brief heyday of English literature as a discipline and the jet-setting lifestyle of its professoriate. Read more

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‘The Bewitched Bourgeois’ by Dino Buzzati

Dino Buzzati was a prolific writer of stories, publishing several hundred over the course of forty years. Many of them are fantastic—reminiscent of Kafka and Poe in their mixture of horror and absurdity, and at the same time anticipating the alternate realities of The Twilight Zone or Black Mirror in their chilling commentary on the barbarities, catastrophes, and fanaticisms of the twentieth century. Read more

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Barry N. Malzberg Dies at 85

The key fact about Malzberg was not just that he was fast—but that he was good. Perfectly readable was his baseline minimum, and when he was at his peak, he overshot that to achieve genuine brilliance. It’s easy enough to tote up evidence of Malzberg’s prolificity: In his peak decade, from 1967 to 1976, Malzberg wrote at least 68 novels and seven story collections along with scores of still uncollected stories published in many magazines and anthologies. He worked in a variety of genres, including mystery, thrillers, erotica, and adventure fiction, but his core work was in science fiction. Malzberg’s best science fiction novels—titles such as Beyond Apollo (1972), Herovit’s World (1973), Guernica Night (1975), and Galaxies (1975)—were astonishingly incisive critiques of modern technology and mass society. Intimately familiar with the genre, Malzberg used all the familiar SF tropes (space exploration, time travel, alternative histories) but amped them up with a bracing dose of pessimism and the stylistic bravura of literary modernism. Read more

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The Cultural History of Charles Fort and His Followers

Charles Fort (1874–1932), the progenitor of modern supernatural studies, rattled the “iron cage of rationality” in the early 20th century, according to this enthralling account. Buhs (Bigfoot) argues that Fort’s unique brand of science-mysticism—he was best known for collecting and compiling newspaper clippings of inexplicable events and for promoting paranormal research—influenced several divergent but interlocking branches of art, politics, and culture. During Fort’s lifetime, his writings on metaphysics inspired avant-gardists and modernists—including Henry Miller and Ezra Pound—who adopted many of his habits of thought, according to Buhs, especially his skepticism of science, penchant for mythmaking, and search for hidden truths. After his death, his legacy fell to two acolytes who founded the Fortean Society: adman Tiffany Thayer and science fiction writer Eric Frank Russell. Buhs traces how, as Fort’s thinking grew ever more influential in the 1950s, inspiring both the golden age of sci-fi and UFO-mania, Thayer and Russell led Fortean thought in a less playful, more paranoid direction; they came to believe that the government was covering up the existence of the supernatural, helping to give birth to America’s robust conspiracy theory subculture. Buhs’s erudite narrative is jam-packed with minor and major 20th-century figures who he shows were influenced by Fort. The result is a lively alternative history of modernity. Read more

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