Posted on

The Cultural History of Charles Fort and His Followers

Charles Fort (1874–1932), the progenitor of modern supernatural studies, rattled the “iron cage of rationality” in the early 20th century, according to this enthralling account. Buhs (Bigfoot) argues that Fort’s unique brand of science-mysticism—he was best known for collecting and compiling newspaper clippings of inexplicable events and for promoting paranormal research—influenced several divergent but interlocking branches of art, politics, and culture. During Fort’s lifetime, his writings on metaphysics inspired avant-gardists and modernists—including Henry Miller and Ezra Pound—who adopted many of his habits of thought, according to Buhs, especially his skepticism of science, penchant for mythmaking, and search for hidden truths. After his death, his legacy fell to two acolytes who founded the Fortean Society: adman Tiffany Thayer and science fiction writer Eric Frank Russell. Buhs traces how, as Fort’s thinking grew ever more influential in the 1950s, inspiring both the golden age of sci-fi and UFO-mania, Thayer and Russell led Fortean thought in a less playful, more paranoid direction; they came to believe that the government was covering up the existence of the supernatural, helping to give birth to America’s robust conspiracy theory subculture. Buhs’s erudite narrative is jam-packed with minor and major 20th-century figures who he shows were influenced by Fort. The result is a lively alternative history of modernity. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

This Writer Perfected an Unusual Literary Form: Amazon Reviews

Killian’s largely five-star reviews of books, movies, poetry, CDs and the occasional object he may or may not have actually purchased (King’s BBQ Potato Salad, Aveda Sap Moss Conditioning Detangler, Gerber baby food that is “as resolutely sweet as a twenties Irving Berlin standard”) are learned, often laugh-out-loud funny, frequently moving, guilelessly enthusiastic and intellectually generous. The biggest laugh is that he conceived of a way to produce a wholly idiosyncratic art project on the ground of corporate real estate. In doing so he subverted the essentially cynical egotism of capitalism and reasserted art as, always and ever, communal. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

How Scholars and Librarians Became the Unlikely Spies of World War II

A genteel lot of librarians, academicians, historians, and researchers, the civilians recruited to form the Office of Strategic Services (precursor to the CIA) in the early days of WWII had more experience lurking in library stacks than skulking around the grimy back alleys of foreign capitals. And yet it was precisely this expertise working among ephemera and archives that made them so attractive to those tasked with forming an intelligence-gathering organization that could provide information critical to winning the war. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

‘American Scary: A History of Horror, from Salem to Stephen King and Beyond’

American history is kind of terrifying: Native American genocide, slavery and witch trials; the Civil War, the Great Depression and Vietnam; AIDS, 9/11 and COVID. As Jeremy Dauber writes at the start of his casually magisterial, endlessly erudite “American Scary,” “You can write America’s history by tracking the stories it tells itself to unsettle its dreams, rouse its anxieties, galvanize its actions.” He then does just that, analyzing nearly 400 years of scary literature, film, comic books, television, video games, urban legends and just about anything else that might haunt you on a sleepless night. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

The MAD Files

Before MAD there were the funny papers, with their well-worn jokesters: Dagwood and Blondie, Archie and Jughead, Little Orphan Annie. The funnies were calculated to make you smile or (rarely) crack you up, but not to dangle you upside down and show you the sheer dimwitted lunacy of life itself. For that, comics reader, you had to wait for the advent of MAD, whose Usual Gang of Idiots poked smirking fun at cows both sacred and profane. Proudly unfurling its adolescent gibes, MAD was kin to wild card TV comedy like the Smothers Brothers and Laugh-In. Small visual doodads festooned its pages, and there were tiny, snide jokes strewn about like buried treasure. This was a device to make young readers pore over each panel repeatedly, while picking their noses and ignoring calls to come to the dinner table. MAD’s densely textured comic vibe inspired the Firesign Theatre, along with Dr. Demento, Monty Python, Second City, SNL, the Simpsons, the Onion, and on and on—a comic Valhalla. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

‘A History of Western Music’ by August Kleinzahler

August Kleinzahler’s “A History of Western Music” will be a special treat for poetry readers who also appreciate music in all its forms and genres. The poems in this collection probe the power of music, exploring the psychological and emotional realms it occupies in our life. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

A Queen of Horror Delivers More Delightfully Twisted Stories

Critics have called Argentine writer Mariana Enríquez a queen of horror, and since the publication of her gorgeous, monstrous novel “Our Share of Night,” fans have turned her into a literary rock star. Her new short story collection, “A Sunny Place for Shady People,” delivers another striking performance. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

How the Unchecked Power of Sheriffs Threatens Democracy

Read investigative journalist Pishko’s carefully reported history, and you’ll appreciate how spot-on Jon Hamm’s evilly unlawful lawman Roy Tillman was in the 2023-24 season of the drama Fargo. One of Pishko’s archetypes is Arizona sheriff Mark Lamb, who proclaims to his constituents, “Sheriffs are the last line of defense in this country. We don’t work for anybody but you.” But that’s not really true: whether directly or not, and whether knowingly or not, he works for a network of extremist right-wing groups, most based in the West and grounded in the John Birch Society and its offshoots, “who all believed that the county sheriff was the only legitimate law enforcement.” Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)

Posted on

How American Lobbyists and Lawmakers Threaten Democracy Around the World

In the spirit of Progressive Era muckrakers, Michel, an investigative journalist and author of American Kleptocracy, reveals the shamelessness, venality, and moral turpitude of those who work to influence federal legislators and the public in order to advance antidemocratic foreign interests. Read more

(We earn a small commission if you click above and buy the book at Bookshop.org)