Because I am a consumer of book-related podcasts, I think that every so often I should do the dedicated readers of this column the favor of sharing some of my favorites. Read more
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“A historical novel has won the Pulitzer Prize for fiction in 12 out of the last 15 years, and historical fiction has made up 70 percent of all novels short-listed for these three major American prizes since the turn of the 21st century. Today, writers like Colson Whitehead, Viet Thanh Nguyen, Louise Erdrich, and Hernan Diaz are less interested in the way we live now than the way we were.
But this generation of prize-winning novelists is different from their forebears in another major way—they’re a lot less white. American literature’s overwhelming turn toward the historical past has both motivated, and been motivated by, the increasing recognition of Black, Asian American, Latinx, and Indigenous writers in the literary field. Over the past five decades, writers of color have been celebrated, prized, and canonized almost exclusively for the writing of historical fiction: narratives of war, immigration, colonialism, and enslavement that span generations and honor previously disregarded histories. Of the top 10 most-taught novels by writers of color published after 1945, eight are works of historical fiction. Of the 54 novels by writers of color to be short-listed for a major American prize between 1980 and 2010, all but four are works of historical fiction. Read more
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Booker Prize winner Flanagan (Toxic) weaves strands about his parents, Australian history, and the atomic bomb into a mesmerizing narrative tapestry in this dazzling, one-of-a-kind memoir. Read more
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Read investigative journalist Pishko’s carefully reported history, and you’ll appreciate how spot-on Jon Hamm’s evilly unlawful lawman Roy Tillman was in the 2023-24 season of the drama Fargo. One of Pishko’s archetypes is Arizona sheriff Mark Lamb, who proclaims to his constituents, “Sheriffs are the last line of defense in this country. We don’t work for anybody but you.” But that’s not really true: whether directly or not, and whether knowingly or not, he works for a network of extremist right-wing groups, most based in the West and grounded in the John Birch Society and its offshoots, “who all believed that the county sheriff was the only legitimate law enforcement.” Read more
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Other people can be baffling; these titles attempt to unravel a bit of their mystery. Read more
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The mega-bestselling author Matt Haig and the limits of the therapy novel. Read more
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Over the course of her career, [Amanda McKittrick] Ros became better and better at writing badly, and her popularity soared as a result. In this regard, she bears comparison with the New York socialite and singer Florence Foster Jenkins (1868–1944), whose operatic warbling was so popular that tickets for her show at Carnegie Hall sold out within two hours. Perhaps Ros was living in a permanent state of cognitive dissonance, or perhaps she accepted the ridicule as consolation for her fame. A more intriguing possibility is that she was engaged in an elaborate form of trolling. Read more
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Alexandre de La Patellière and Matthieu Delaporte’s rollicking, expensive French blockbuster is a fittingly bold take on Dumas’s 1,300 page revenge-tale. Watch trailer
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