How Columbia Journalism School professor Samuel G. Freedman has helped hundreds of students get coveted book contracts. Read more
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How Columbia Journalism School professor Samuel G. Freedman has helped hundreds of students get coveted book contracts. Read more
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Swyler achieves a seemingly impossible amount of sophisticated worldbuilding using an economy of vibrant, graceful prose. The story transports and transforms, alchemizing a combination of mystery, romance, and science fiction into an impactful exploration of the importance of connection, the evolutionary nature of identity, and the inevitability of revolution. Affecting relationships and a sinuous, kaleidoscopic third-person narrative further define and develop the exquisitely rendered characters. Read more
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The author of 15 novels and more than a dozen nonfiction books as well as plays and screenplays, Mr. Lodge was twice shortlisted for the Booker Prize, and his work has been translated into dozens of languages. His best-known work, “Campus Trilogy,” dramatized the brief heyday of English literature as a discipline and the jet-setting lifestyle of its professoriate. Read more
You could assemble an entire library of contemporary work fixated on literary imitation, appropriation and theft. Read more
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Robert Coover’s “The Public Burning” was met with bafflement and awe when it appeared in 1977. Reality has finally caught up to his masterpiece. Read more
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He wasn’t just prolific, publishing 32 books. His output also showed an unusual range that included memoirs and forays into historical fiction and even poetry. Read more
Dino Buzzati was a prolific writer of stories, publishing several hundred over the course of forty years. Many of them are fantastic—reminiscent of Kafka and Poe in their mixture of horror and absurdity, and at the same time anticipating the alternate realities of The Twilight Zone or Black Mirror in their chilling commentary on the barbarities, catastrophes, and fanaticisms of the twentieth century. Read more
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Elaborately designed books with patterned edges and other effects started as a trend in romance and fantasy, and have now spread throughout the publishing industry. Read more
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The key fact about Malzberg was not just that he was fast—but that he was good. Perfectly readable was his baseline minimum, and when he was at his peak, he overshot that to achieve genuine brilliance. It’s easy enough to tote up evidence of Malzberg’s prolificity: In his peak decade, from 1967 to 1976, Malzberg wrote at least 68 novels and seven story collections along with scores of still uncollected stories published in many magazines and anthologies. He worked in a variety of genres, including mystery, thrillers, erotica, and adventure fiction, but his core work was in science fiction. Malzberg’s best science fiction novels—titles such as Beyond Apollo (1972), Herovit’s World (1973), Guernica Night (1975), and Galaxies (1975)—were astonishingly incisive critiques of modern technology and mass society. Intimately familiar with the genre, Malzberg used all the familiar SF tropes (space exploration, time travel, alternative histories) but amped them up with a bracing dose of pessimism and the stylistic bravura of literary modernism. Read more
White Nights, the author’s 1848 novella, sounds an unlikely candidate to go viral, but the story of lovelorn loneliness is now a favourite among TikTok and Instagram users. Read more
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