The key fact about Malzberg was not just that he was fast—but that he was good. Perfectly readable was his baseline minimum, and when he was at his peak, he overshot that to achieve genuine brilliance. It’s easy enough to tote up evidence of Malzberg’s prolificity: In his peak decade, from 1967 to 1976, Malzberg wrote at least 68 novels and seven story collections along with scores of still uncollected stories published in many magazines and anthologies. He worked in a variety of genres, including mystery, thrillers, erotica, and adventure fiction, but his core work was in science fiction. Malzberg’s best science fiction novels—titles such as Beyond Apollo (1972), Herovit’s World (1973), Guernica Night (1975), and Galaxies (1975)—were astonishingly incisive critiques of modern technology and mass society. Intimately familiar with the genre, Malzberg used all the familiar SF tropes (space exploration, time travel, alternative histories) but amped them up with a bracing dose of pessimism and the stylistic bravura of literary modernism. Read more
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