Chester Himes was on par with Ellison, Hemingway and Fitzgerald, S.A. Cosby writes. Read more
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Chester Himes was on par with Ellison, Hemingway and Fitzgerald, S.A. Cosby writes. Read more
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John Nichols, who launched his literary career in his mid-20s with a pair of tragicomic novels but became best known for evoking New Mexico’s small towns and rural landscapes in books including “The Milagro Beanfield War,” was found dead Nov. 27 at his home in Taos, N.M. He was 83. Read more
A wildly prolific son of Texas, McMurtry was a tangle of contradictions. Here’s where to start. Read more
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Slender, discerning … Should appeal to anyone — novice or expert — ready to explore Cather’s life and work in the company of a critic so alert to the shimmering subtlety of her style and the hard years of effort that went into crystallizing it … With great feeling and deeply informed perception, Taylor helps us readers realize anew the sustained effort it took for Cather to meet ‘the rest of herself,’ in her novels and her life. Read more
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Cormac McCarthy, the formidable and reclusive writer of Appalachia and the American Southwest, whose raggedly ornate early novels about misfits and grotesques gave way to the lush taciturnity of “All the Pretty Horses” and the apocalyptic minimalism of “The Road,” died on Tuesday at his home in Santa Fe, N.M. He was 89. Read more
Portis’s genius went beyond character in the strictly literary sense, to reveal something about moral character and many somethings about the character of this country. Read more
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His sagas of the Revolution and the Civil War sold tens of millions of copies, were adapted for TV and put him in the pantheon of big-name authors. Read more
He brought his own sometimes painful blue-collar experiences to bear in acclaimed stories exploring issues of race, class and power in American life. Read more
Gerald Stern’s generous, practical, and fanciful poems, which The New Yorker began publishing in 1976, are both rhapsodic and earthbound. Read more
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Gin, bourbon, valium, weed, horse racing, nine-ball, poker, pills, petroleum, chess, sex, television, losing, winning—the novels of Walter Tevis are queasy with addictions big and little. Most are hazardous. Some are deadly. A few seem nice enough, but nice is usually booby-trapped somehow, so that a character can’t enjoy, say, a game of pool without going on a bender a page later. These are novels without rising or falling action; they move to the jerkier rhythms of recovery and relapse. Read more
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