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Shit Cassandra Saw by Gwen E. Kirby

Kirby’s book succeeds not just because she’s a preternaturally gifted prose stylist, but because of her willingness to take risks. She experiments with points of view and occasionally dips into metafiction (“Midwestern Girl Is Tired of Appearing in Your Short Stories” is a master class in storytelling, as well as a hilarious commentary on a fiction scene that’s seen men overrepresented for decades.) And yet she also knows when to tap the brakes, when to step back and let her carefully drawn characters speak for themselves. It’s a stunning collection from a writer whose talent and creativity seem boundless. Read more

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Nine decades later, W.E.B. Du Bois’s work faces familiar criticisms

“Black Reconstruction,” published against a backdrop of violence and segregation, met with a vitriolic reception. White writers leveled sharp-tongued critiques. Black journalists assessed the work favorably but with reservations. Despite the early criticism, over time “Black Reconstruction” came to be recognized as a towering analysis of American culture and an important work of history. Nonetheless, the book’s contribution to the understanding of American racism is, nearly 90 years after its publication, still subject to stale objections that echo those heard when it first hit bookstore shelves. Read more

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‘Winnie-the-Pooh’ just entered the public domain. Here’s what that means for fans.

Among the many works in this year’s public domain trove — now that their requisite 95-year period has ended under U.S. copyright law—are Felix Salten’s original “Bambi, a Life in the Woods” novel; titles by Ernest Hemingway, Langston Hughes and Dorothy Parker; classic silent films and Broadway songs; and about 400,000 pre-1923 sound recordings. Read more

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